Top Track Music

Black Cadillac

by kissingermd on Jul.29, 2010, under Top Track Music

This is a song from my Cd Congitive kung fu. It’s also the most downloaded song I have on Itunes. It’s in the style of Elvis. He was the first artist I listen to when I was a boy. I hope you enjoy it.

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Taylor Swift-You Belong With Me

by kissingermd on May.11, 2010, under Song of the day

This is for a friend

You Belong with Me” is a country pop song performed by American recording artist Taylor Swift. The song was co-written by Swift and Liz Rose and produced by Nathan Chapman with Swift’s aid. It was released on April 21, 2009 by Big Machine Records as the third single from Swift’s second studio album, Fearless. Swift was inspired to write “You Belong with Me” after overhearing a male friend of hers arguing with his girlfriend through phone call; she continued to develop a story line afterward. The song contains many pop music elements and its lyrics have Swift desiring an out-of-reach love interest. info from Wikipedia!

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Sun in the Sky

by kissingermd on Apr.15, 2010, under Music from Innertube Studio

Sun in the sky new music from Innertube Studio featuring Ian Cipriani, Nick Kucel, and Mike Kissinger

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Lady Gaga – Telephone ft. Beyoncé

by kissingermd on Mar.15, 2010, under Song of the day

New song from Lady gaga. I like it. Do you? Sound off it’s free and easy.

Telephone” is a song by American recording artist Lady Gaga from her second studio album The Fame Monster, featuring American R&B singer Beyoncé Knowles. Gaga originally wrote “Telephone” for Britney Spears, however plans did not go through, and Gaga recorded the song herself, with Beyoncé as the featured vocalist. The main inspiration behind the song was Gaga’s fear of suffocation. The lyrics portray the singer as preferring the dance floor, rather than answer her lover’s phone calls. Gaga explained that the telephone addressed in the lyrics of the song, is in reality a person telling her to continue working harder. Musically, the song consists of an expanded bridge, verse-rap and an epilogue where the line is disconnected. Knowles appears in the middle of the song with the verses being sung in a rapid-fire way, accompanied by double beats.

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Gorillaz – Stylo

by kissingermd on Mar.14, 2010, under Song of the day

I have liked the Gorillaz since the days of Clint Eastwood. This a new song from the new CD. Check it out. Look for the cameo of Bruce Willis.

 

OK to watch the offical vide chechk this link out!

http://www.youtube.com/watch?v=h9vAOzYz-Qs

 

This from the rolling stone on line magazine.

Just one day after Gorillaz were named Coachella’s closing night headliner, “Stylo,” the first single off the cartoon band’s upcoming third album Plastic Beach, leaked out into the blogosphere. Gorillaz’s Murdoc Niccals wrote on his Twitter page, “A leak! A leak! Plastic Beach has sprung a leak! One of those Russian pirates has put a bullet hole in my island! My single’s leaked! STYLO!” The first single features R&B singer Bobby Womack’s trademark croon on the chorus, as well as rapper Mos Def, who will join Gorillaz as an animated character named “Sun Moon Stars” on Plastic Beach. “Stylo” will officially be released on January 26th, with Plastic Beach to follow on March 9th.

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Happy Boy Song

by kissingermd on Mar.13, 2010, under Song of the day

This one is for my friend Rick. Forgot all about it for a month and half.

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Foreplay/Long Time – Boston

by kissingermd on Feb.27, 2010, under Song of the day

Foreplay/Long Time – Boston. I think this peace is wonderful desplay of musical engineering. A master peace. A classic. I dare anyone to say different. Sound off, it’s free and easy. Leave a comment.

“Foreplay/Long Time” is a song by the rock band Boston, released on the band’s eponymous debut album, and as their second single, on Epic Records in 1976. It combines an instrumental introduction, “Foreplay,” to the main song “Long Time,” generally played as one on the radio and listed as one track on the album. It peaked at #22 on the Billboard Hot 100 in February 1977, and #11 on the singles chart in the United Kingdom.

In an interview for the ‘Best of Boston’ CD, Scholz said that ‘Foreplay’ was the first thing he ever recorded, and he did this on a two-track machine in his basement.

 

Hey look I get most of my stuff from wikipedia. So if it’s wrong and you know that. Hell let me know. Enjoy the song.

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Michael Jackson – Earth song

by kissingermd on Feb.26, 2010, under Song of the day

Michael Jackson – Earth song/ Sorry about the late post today. This song should make you think. Man’s nonability to live and peace, and what the effects have done to the world. Still out of control. What do you think? Sound off. Leave a comment it’s free and easy.

 

Earth Song” is the third single from Michael Jackson’s album HIStory: Past, Present and Future, Book I. It is a ballad that incorporates elements of blues, gospel and opera. Jackson had a long-standing history of releasing socially conscious material such as “We Are the World”, “Man in the Mirror” and “Heal the World”. However, “Earth Song” was the first that overtly dealt with the environment and animal welfare. The song was written and composed by Jackson; the task of production was split between Jackson, David Foster and Bill Bottrell.

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Booker T & the MG’s – green onions

by kissingermd on Feb.25, 2010, under Song of the day

Booker T & the MG’s – green onions/ Some days I inspired by an old memory then there are times that I hear an oldie but a goodie on the car radio and I just have to share it with you. This song moves my soul. It’s so much fun. I hope you like it, and if you never heard it before, well your in for a treat. Enjoy.

 

In summer 1962, seventeen-year-old keyboardist Booker T. Jones, twenty-year-old guitarist Steve Cropper, bass player Lewie Steinberg, and Al Jackson Jr., a drummer making his debut with the company, were in the Memphis studio to back up former Sun Records star Billy Lee Riley. During downtime, the four started playing around with a bluesy little organ ditty reminiscent of Ray Charles. Jim Stewart, the president of Stax Records, liked what he heard and hit the “record” button. He liked the finished product enough to want to release it.[9] Cropper remembered a riff that Jones had come up with weeks earlier and before long, they had a second song.

Stewart wanted to release the single with the first song, titled “Behave Yourself”, as the A-side and the second song as the B-side. Steve Cropper and radio disc jockeys thought otherwise; soon, Stax released Booker T. & the M.G.’s’ “Green Onions” backed with “Behave Yourself”. In conversation with BBC Radio 2′s Johnnie Walker, on his show broadcast on September 7, 2008, Steve Cropper revealed that the record became an instant success when DJ Reuben Washington, at Memphis radio station WLOK, played it four times in succession, this even before the tune or the band had an agreed name.

The single went to number one on the R&B charts and number three on the Pop charts and is now considered one of the most important riffs in rock history. It is featured in countless movies/trailers including a pivotal scene in the motion picture American Graffiti and on TV every year.

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David Bowie – Fame

by kissingermd on Feb.24, 2010, under Song of the day

David Bowie – Fame/ just a great song.

 

Fame” is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990.

With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles’ “Across the Universe” was recorded. Then a new song called “Fame”, inspired by “Walk On”, from the Jackson Five’s “Going Back to Indiana” live album, and a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing “Fame!” over Alomar’s guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon’s voice is also heard singing the repeated words “FAME, FAME,FAME” with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie’s voice is heard singing the final lyrics of the song before the fade.

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