“Telephone” is a song by American recording artist Lady Gaga from her second studio album The Fame Monster, featuring American R&B singer Beyoncé Knowles. Gaga originally wrote “Telephone” for Britney Spears, however plans did not go through, and Gaga recorded the song herself, with Beyoncé as the featured vocalist. The main inspiration behind the song was Gaga’s fear of suffocation. The lyrics portray the singer as preferring the dance floor, rather than answer her lover’s phone calls. Gaga explained that the telephone addressed in the lyrics of the song, is in reality a person telling her to continue working harder. Musically, the song consists of an expanded bridge, verse-rap and an epilogue where the line is disconnected. Knowles appears in the middle of the song with the verses being sung in a rapid-fire way, accompanied by double beats.

OK to watch the offical vide chechk this link out!

http://www.youtube.com/watch?v=h9vAOzYz-Qs

This from the rolling stone on line magazine.

Just one day after Gorillaz were named Coachella’s closing night headliner, “Stylo,” the first single off the cartoon band’s upcoming third album Plastic Beach, leaked out into the blogosphere. Gorillaz’s Murdoc Niccals wrote on his Twitter page, “A leak! A leak! Plastic Beach has sprung a leak! One of those Russian pirates has put a bullet hole in my island! My single’s leaked! STYLO!” The first single features R&B singer Bobby Womack’s trademark croon on the chorus, as well as rapper Mos Def, who will join Gorillaz as an animated character named “Sun Moon Stars” on Plastic Beach. “Stylo” will officially be released on January 26th, with Plastic Beach to follow on March 9th.

In summer 1962, seventeen-year-old keyboardist Booker T. Jones, twenty-year-old guitarist Steve Cropper, bass player Lewie Steinberg, and Al Jackson Jr., a drummer making his debut with the company, were in the Memphis studio to back up former Sun Records star Billy Lee Riley. During downtime, the four started playing around with a bluesy little organ ditty reminiscent of Ray Charles. Jim Stewart, the president of Stax Records, liked what he heard and hit the “record” button. He liked the finished product enough to want to release it.^[9] Cropper remembered a riff that Jones had come up with weeks earlier and before long, they had a second song.

Stewart wanted to release the single with the first song, titled “Behave Yourself”, as the A-side and the second song as the B-side. Steve Cropper and radio disc jockeys thought otherwise; soon, Stax released Booker T. & the M.G.’s’ “Green Onions” backed with “Behave Yourself”. In conversation with BBC Radio 2′s Johnnie Walker, on his show broadcast on September 7, 2008, Steve Cropper revealed that the record became an instant success when DJ Reuben Washington, at Memphis radio station WLOK, played it four times in succession, this even before the tune or the band had an agreed name.

The single went to number one on the R&B charts and number three on the Pop charts and is now considered one of the most important riffs in rock history. It is featured in countless movies/trailers including a pivotal scene in the motion picture American Graffiti and on TV every year.

“Fame” is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990.

With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles’ “Across the Universe” was recorded. Then a new song called “Fame”, inspired by “Walk On”, from the Jackson Five’s “Going Back to Indiana” live album, and a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing “Fame!” over Alomar’s guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon’s voice is also heard singing the repeated words “FAME, FAME,FAME” with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie’s voice is heard singing the final lyrics of the song before the fade.

“The Logical Song” was a hit on its original release, reaching number 7 in the United Kingdom, number 6 in the United States and spent two weeks at number 1 on the Canadian RPM Singles Chart for two weeks.

The lyrics are a “story of innocence and idealism lost” with Hodgson condemning an education system not focused on knowledge and sensitivity.

The song tells the story of a man who:

• is taken away from the unspoilt immediacy of childhood (When I was young, it seemed that life was so wonderful, a miracle, oh it was beautiful, magical),
• undergoes education (but then they sent me away to teach me how to be sensible, logical, responsible, practical),
• sees a future prepared for him lacking any spontaneity of reaction (And they showed me a world where I could be so dependable, clinical, intellectual, cynical),
• feels constricted in his freedom of speech (Now watch what you say or they’ll be calling you a radical, liberal, fanatical, criminal),
• is put under pressure to conform (Won’t you sign up your name, we’d like to feel you’re acceptable, respectable, presentable, a vegetable)
• and ends up confused, without a coherent self-image (please tell me who I am).

I think this is one of Lady Gaga’s best performance. What do you think? Remember shes not on American soil when shes sings ( Telephone Dance in the dark)in this performance.

Please leave a comment. It’s free and easy.

“Outta My Head (Ay Ya Ya)” is a single performed by Ashlee Simpson, the first from her third album Bittersweet World, produced by Timbaland, King Logan and Jerome Harmon.

“Fire” is a song written by Bruce Springsteen and originally intended for use by Elvis Presley. It was recorded first by Robert Gordon during 1978, and he received some modest album-oriented rock radio broadcasting with it. It was then recorded and released by The Pointer Sisters later during 1978, and they gained a major success from it, scoring number two during early-February 1979 on the U.S. pop chart.

Although he performed the song live from his 1978 tour onwards, Springsteen himself did not release his own recording of the song until his 1986 Live/1975-85 album, which contains his (heavily edited, to eliminate on-stage hijinks) December 16, 1978 performance. This version was released as a single (which contained the only “official” live version of “Incident on 57th Street”, until its appearance on Live in Barcelona, as B-side), but did not succeed, scoring only number 46 on the U.S. pop chart. A music video for the song was released at the time, but confusingly showed a completely unrelated 1986 acoustic performance at a Bridge School Benefit concert.